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If a knock-out tournament match is level after 90 minutes it will then move on to extra time and penalties if still no winner can be found. Each team has 5 chances to score from a penalty kick, taking it in turns, the team that scores the most goals wins. The pressure builds as you reach the end of the 5 kicks. If it is level after 5 kicks each, sudden death begins. A penalty shootout could go on forever in theory, with every player taking a kick, including goalkeepers, until one team scores and the other misses. In big games like the World Cup, there is nothing quite like the intensity of a penalty shootout!

The creative midfielder who runs the game, creates chances, and controls tempo. Classic number 10s like Maradona and Zidane played between midfield and attack. Deep-lying playmakers like Pirlo and Xavi do similar things from further back. Pure playmakers are rarer now because teams spread creative duties around instead of relying on one player. But the role still gets romanticized as football at its most artistic.

"Juego de posición" in Spanish. Players occupy zones rather than fixed positions, maintain good spacing, and create overloads in key areas. Cruyff developed it, Guardiola refined it. The idea is structure over improvisation - everyone knows where they should be relative to the ball and teammates. Unlike total football's constant position-swapping, it stays organized while allowing creativity within that framework.

A way of adjusting stats to account for how much the ball a team has. A team with 70% possession will naturally have more passes, so comparing their passing numbers directly to a team with 40% possession is misleading. Possession-adjusted stats divide by possession share to give a fairer comparison. Useful for evaluating defensive actions especially - making fewer tackles might just mean you have the ball more often.

An unbroken chain of passes before the ball is lost. Sequences can be long (tiki-taka style) or short (direct football). Teams are judged on how many long sequences they produce and what they do with them. A 15-pass sequence that ends with a sideways ball is different from one that ends with a shot. The quality of the sequence's endpoint matters as much as the length.